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Description:
641.
[Bookplate for A. H. Aszkanazy]
Egyptian scene with female figure sitting on a throne with a pyramidal structure in the background. The image is surrounded by a frame decorated with a winged sun disk and hieroglyphics. The winged sun disk represents the god Horus Behudety (a variation of Horus) and appears frequently in ancient Egyptian architecture.
642.
[Bookplate for William Hall Walker by F.]
Dense with imagery, this bookplate consists of a central framed coat of arms, surrounded by many symbols and figures, including a rose, a portcullis, a bird, a small argent escutcheon charged with a lion rampant, a thistle, military insignia, mounted hunting spoils, an anchor, rifles, swords, polo mallets, horseracing emblems, horse carriage hook-up, foliage, tree branches, and knights on horseback. The knight on the left sits upon an armored sable horse, holds a lance in his right arm, and wears a cornucopia crested helmet. The knight on the right sits upon a unarmored white horse and holds a white flag in his right hand, on which is the image of a tree and fox on a circular white and azure (blue) background. The coat of arms, presented within a border of grape vines and under the motto 'By Care and Industry', consists of a white horse and stag as supporters, with juxtaposed garbe, proper. The escutcheon, argent, contains both a chief and saltier. The chief is argent (silver), with two argent mullets of six points and garbe, proper. The saltier, argent, is charged with eight seedlings eradicated and a stag's head, erased, at its centre. Atop the shield is a baron's coronet and helmet, grated and in profile, crested by a wreath and cornucopia.
643.
[Bookplate for Sir Charles Tupper]
Crest is a dog (i.e. loyalty and guidance). Helm is a Baronets and Knights. On the shield at the middle chief are two boars (i.e. courage and savagery) ; at the fess point are three shells(i.e. water, love, St. James the Apostle, pilgrimage and travel).
644.
[Bookplate for Frederic Markham Tindall]
CREST is a DEMI-LION that appears SEJANT ERECT, and COUPED. HELM is a Gentlemen and Esquires. On the SHEILD, at the FESS POINT is three WHEAT-SHEAFS OR GARBS (i.e. agriculture and Jesus as the Bread of Life).
645.
[Bookplate for Gladys Reid]
Created with black ink on white paper this pictorial bookplate depicts an animal, possibly a dog, prancing in a field. Surrounding the animal are flowers and leaves. The bookplate is further decorated with decorative borders illustrated with vines.
646.
[Bookplate by G. P. V. Akrigg]
Created using black ink on white paper (glue painted on back). The image is of a desk facing a window with two panes (each divided into eight sections) opening onto a view of an inlet and three mountains. A totem pole is behind the sinister pane. Drawn curtains are on both the sinister and dexter sides of the window. Above the window is a ribbon inscribed with "ALL LEARNING BUT AN ART TO LIVE WELL." On the desk, from left to right, is a painter's palette with two paint brushes, an open book, a ruler, ink well, fountain pen, pencils, card catalogue drawer, index card, small closed book, and a bust of Shakespeare. Below the bust are inscribed the initials "G.P.V.A."
647.
[Bookplate for Park Lending Library]
Created in black ink on white paper. A simple border with a braided pattern frames the text.
648.
[Bookplate for R. D. Stuart]
Consisting of a decorative border with the text of Swallowfield Farm sitting on a spear that is horizontal across the middle of the bookplate.
649.
[Bookplate for Frederick Starr]
Colour woodblock print. In blue, red, and black ink. Image of a crescent moon and stars. Stylistic pattern in background and Japanese text beneath image. Artists' mark on bottom left in red.
650.
[Bookplate for Frederick Claude Vivian Lane and Frederick Starr]
Colour woodblock print. In black, blue, nude, red and white ink. Image of birds in water with a fire in a basket at top left and (possibly) a boat top right.
651.
[Bookplate for Jeanie Lea Southwick and Frederick Starr]
Colour woodblock print. Image of a Japanese Shinto shrine, a Torii gate, overlooking landscape and a mountain, presumably Mount Fuji. Bookplate image and texts contained within a bamboo border, with bookplate text at top and bottom.
652.
[Bookplate for Frederick Starr]
Colour woodblock print in two blocks. In yellow and blue ink. Bordered image of a nude woman. Bookplate text above.
653.
[Bookplate for Frederick Starr]
Colour woodblock print in two blocks. In green and red ink. Image of the top half of a woman, nude. Bookplate text above image.
654.
[Bookplate for Frederick Starr]
Colour woodblock print in four blocks. In blue, red, green and black ink. Image of a Japanese woman overlooking landscape--foliage and a mountain--with a lantern hanging above. Japanese woman in traditional dress.
655.
[Bookplate for Frederick Starr]
Colour woodblock print in four blocks. In black, flesh pink, mustard yellow, and deep mustard yellow ink. Image of the midsection of a woman, nude. Bookplate text at top. Name or initials of artist at bottom right.
656.
[Bookplate]
Colour ink on white paper. Stylized green turtle stands among cat tails on a blue background. White box at bottom for owner's name.
657.
[Bookplate for Eliza Ann Taylor and Michael B. Kunze]
Colour ink on white paper. Gold outer border. Inner border is floral pattern on pink background. Text box at centre right.
658.
[Bookplate for Dr. Schilder and Mrs. Schilder]
Clock tower with a living quarters and a coned roof on top of it. In pencil, at the bottom of the bookplate appears the text: Peq. Ruqition August 17, 1979.
659.
[Bookplate for J. E. Horvath]
Circular black ink text on white paper.
660.
[Bookplate for Mae Burke Craft by A. H.]
Central image is of a window with gables to the left and right above a large number of deciduous and coniferous plants and shrubs. The window looks onto a scene with an empty fireplace and a roman mantle above it holding a mounted mirror on top of it. There are various other pictures and bookcases/books held within the room in addition to an open book sitting on an antique armchair partly facing towards the open window. Hanging from the mantlepiece above the fire is a family crest, but it is too small to discern more than general details. The whole image is surrounded by a triple filleted black border.
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